Entries Tagged as 'history'

Using Historical Fiction Picture Books Part Two

December 7, 2011 · 1 Comment · Common Core Standards, Disciplinary Literacy, history, learning, literacy, Literacy in Social Studies, Picture, Picture Books, reading, Reading and Writing Enrichment, Reading Comprehension, reflecting, social studies

In the Article “Comprehension Strategies for Reading Historical Fiction Picturebooks” by Suzette Youngs and Frank Serafini in The Reading Teacher, October 2011 the authors offer suggestions for moving readers from the literal details to the interpretive assertions.  Yesterdays post focused on the considerations for using historical fiction picture books.

I think consideration must be given to teaching the teacher before teaching students from the transition from literal to interpretive assertions.  To a certain degree the teacher must own the content or have a clear understanding of the content before moving further.  With inquiring minds of all ages (teacher included) we hope the multimodal text will plant a seed in the learners head to inquire further. At the completion of the reading- pre, during, and post- I would hope the book would help the reader form an emotional attachment with the book. The article by Youngs and Serafini offers three strategies:

 

Phase I: Previewing, Noticing, and Naming

As readers approach a picturebook, we encourage them to focus on these elements or thoughts>

  • What visual and design features do you notice?
  • How do the visual, textual, and design modes relate to one another?
  • What did the illustrator, author, and publisher include in the peritext?
  • What type of historical fiction might this be?
  • Focus attention to Historical fiction as a Genre. Are they aware of different examples of historical fiction? I suggest keeping a chart somewhere in your room of different historical fiction books you have read and be able to talk about what they notice in the differences.
    • o   fictionalized memoirs
    • o   fictionalized family histories and stories
    • o   fiction based on research
  •  Essential Questions to Ask When Reading Historical Fiction
    • ·         Is this true? How much is this true?
    • ·         How can we distinguish between fact from fiction?
    • ·         How do the authors know?
    • ·         How much of it happened like this?
    • ·         How can the auto rote help to construct meaning?
    • ·         What type of historic fiction is this?
    • ·         How do the illustration and the text work together?
  • Attention to Visual and Textual Elements
    • ·         What did you notice about the cover, back cover, title page, end pages.
    • ·         What did you notice visual and design elements of the picturebook”
    • ·         By allowing readers to determine what is important by focusing on what they notice, teachers can shift the focus of the discussion to what matters to their readers. (Youngs, 2011)
  • During this first read-aloud, we take note of the balance between narrative and factual elements, how color is used throughout the text to suggest moods and themes, how characters are portrayed in the written text and images, how the story unfolds and how it makes us feel, and other narrative features such as setting, character, plot, and resolution. By focusing readers’ attention on the visual, textual, and design elements of the picturebook, we establish a foundation for readers to move from attending to the visual and verbal features of a picturebook to the interpretation of these elements. (Youngs, 2011)

Phase II: Moving Beyond Noticing to Interpretation

  • Read the book a second time!
  • Invite readers to consider the meaning potential of various visual and textual elements embedded within the picturebook and how these individual elements contribute to the story as a whole.
  • Help the learners pay attention the one telling the story and their perspective.
  • Help the learners pay attention to how the image is framed, the setting of the image or illustration. Framing is a way illustrators invite viewers into an image or distance them from what is being presented.
  • Character-reader relationship- A technique that illustrators use to develop a relationship between the character and viewer is called demand and offer. When a character in an image or illustration makes direct contact with the viewer, this is called demand and when a character looks at other characters or objects within the image, it is called an offer. (Youngs, 2011, p. 120) Demand offers the reader an interactive role and demands the attention of the reader where as an offer does not bring the reader into a direct relationship with the character. Rather these scenes and actions serve as information for the reader to consider. The author and illustrator works together to create a relationship between the reader and the characters and events in the story. (Youngs, 2011, pp. 120-121) This is an important position to consider in the genre of historical fiction.

Phase III: Moving Beyond Interpretation to Critical Analysis

What happens in the phase depends on the background knowledge readers bring to the text and the intention of the books use in the content area. Let me point out whether one is using historical fiction or another type of fiction the three phases need to be taught along the continuum of early and intermediate literacy stages. The more background knowledge learners have prior to reading the picture book, will help them assume a critical stance.  This path must be modeled and taught.  The path is a forward movement from early literacy to intermediate literacy and the higher level would be disciplinary literacy.  Important considerations include:

  • Many historical fiction picture book illustrators draw on cultural, political, and social symbols to make inter-textual connections within the illustrations and to other visual images. (Youngs, 2011)
  • Here are some open ended questions that will promote this type of thinking”
    • o   Whose view of history is being presented in the book?
    • o    How are historical characters portrayed?
    • o   What systems of power and social issues are being challenged?
    • o   Whose view is privileged in the telling of the story?
    • o   What has been left out of the story?
    • o   How do the images presented affect the readers’ interpretations?
  • Visual Symbol Analysis: “Illustrators of historical fiction picturebooks often embed historical images within their illustrations. Analysis of these images requires readers to construct an image as a historical symbol, to place the image within its original historical context, and to make intertextual connections between the book being read and the embedded image. Anstey and Bull (2006) referred to the use of intertextuality and described it as “the ways one text might draw on or resemble the characteristics of another causing the consumer of the text to make links between them” (p. 30).” (Youngs, 2011, pp. 121-122)
  • Placement of Characters within an Illustration- How the character is placed in the illustration carries additional meaning to the whole text. It tells us lots about the characters social standing and power structures with other characters. Characters placed at the top of the image are given higher social status or power compared to those place near the bottom of the pictures. Characters placed side by side might be entering into an adventure  (Youngs, 2011, pp. 122-123). Other questions to consider:
    • o   What might the spatial relationship suggest?  (Youngs, 2011, pp. 122-123) How might we interpret the placement of characters or objects on the page and throughout the book?  (Youngs, 2011, pp. 122-123) Who or what is privileged in the various images?  (Youngs, 2011, pp. 122-123)
    • o   What systems of power are represented? (Youngs, 2011, pp. 122-123) (We must teach learners to take a critical stance of various images and symbols represented in historical fiction picture books) (Youngs, 2011, p. 122)

These strategies presented by Youngs and Serefini need to be considered as we prepare our learners for the real world. This framework can better prepare teachers for using historical fiction or any fictional picture book in the content curriculum.  It serves as a guide, but should help to focus on the teacher how picture book could be possibly used. I think it is important the teacher understand the framework so that parts as necessary can be modeled and taught to all learners.

Bibliography

Piercy, T. a. (2011). Disciplinary Literacyq. Englewood, Colorada: Lead and Learn Press.

Youngs, S. a. (2011). Comprehension Strategies for Reading Historical Fiction Picture Book. The Reading Teacher , 115-124.

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Using Historical Fiction Picture Books Part One

December 6, 2011 · 2 Comments · Common Core Standards, history, learning, literacy, Literacy in Social Studies, Picture Books, Reading and Writing Enrichment, Reading Comprehension

In the Article “Comprehension Strategies for Reading Historical Fiction Picturebooks” by Suzette Youngs and Frank Serafini in The Reading Teacher, October 2011 along with other important notes struck a chord with me: “Cognitively based reading comprehension strategies (e.g., predicting, summarizing, visualizing) often focus exclusively on written text. However, picture books and many other texts that readers encounter in their daily lives are now dominated by visual images Therefore, comprehending the visual images and design elements presented in historical fiction picture books require developing a new set of strategies in addition to the strategies used for comprehending written text alone.”

I love historical fiction picture book and I have a growing collection as more and more are being published. I have used picture books across all curriculum area to supplement both social studies and ELA content.  I used picture book as mentor text in classroom writing workshops and I continue to use them in professional development classes as well.

The article pushed my thinking in new ways about using quality picture books in teaching and learning. I have held a strong belief that picture books are a great way to help bridge connections to the content being taught in content subjects especially history. Pictures, images, and designs features enhances our understanding of the world today just by the way they are presented and used on a daily basis on billboards, TV, Internet, Theater, and other mediums in public places.  In historical picture books they help the readers to make sense of historical events and concepts. In a way picture books are the pre-Madonna of today’s literacy. Picture books helps teachers and students take complex issues, events, and concepts and helps readers bridge a connection for future learning.   We use picture books across the curriculum to supplement social studies content, present complex historical concepts and promote critical discussions. (Youngs, 2011, p. 116)

“Cognitively based readi(Youngs, 2011, p. 116)ng comprehension strategies (e.g., predicting, summarizing, visualizing) often focus exclusively on written text. However, picturebooks and many other texts that readers encounter in their daily lives are now dominated by visual images (Kress, 2003). Therefore, comprehending the visual images and design elements presented in historical fiction picturebooks requires developing a new set of strategies in addition to the strategies used for comprehending written text alone (Serafini, 2005, 2010; Youngs, 2010).” (Youngs, 2011, p. 116)

A picture book brings a unique experience beyond the text, but not so unique when you think about the digital media that all our youth are exposed to beginning at birth.  Beginning with early literacy, picture book use in different areas of the curriculum should expose readers to making meaning of the story or the informational message beyond the text.  Early literacy places lots of instruction based on a text environment. Early literacy and intermediate literacy focuses lots of efforts on skills such as main idea, supporting details, predicting, summarizing).  Unfortunately literacy instruction has prepared students for the multiple choice test.

Very little pedagogical attention has been places on visual system at all grade levels and that poses a new challenge for teachers.  Picture books brings a multimodal system that needs to be understood , modeled, and taught so student will fully comprehend the text.

Below are some considerations for using historical picture books:

  • Teachers must take the time to fully understand the content that is being presented through the picture book.  What part of the book is fiction? Many historical fiction books provide additional background knowledge on the event, time period, person, or conflict and provide information what is fact and fiction. The danger is the teacher not knowing and not discussing this with students.
  • Historical fiction picturebooks are challenging because many readers lack historical background knowledge, are not familiar with the genre, and are inexperienced with the language specific to the historical era.” (Youngs, 2011)
  • The teachers needs to have some understanding of the context of the text and images presented. Are the images accurate of the time period?  The context affects how we will view the text (including all multimodal pieces of the text) and it will affect how we respond. In understanding the context, we must consider the background knowledge. Our goal with a picture book might be to help students to piece together a context for understanding the content that they must learn. We are helping them to piece together clues that will them build a larger picture around the things we what them to learn. It is valuable to know that Lincoln’s Gettysburg Address was given during a critical phrase of the Civil War. It was given at the dedication of the cemetery for fallen soldiers after the most critical battle of that war. (Piercy, 2011, pp. 77, 80)
  •  The teacher must focus on text. I am including the design, pictures, images, and print for the meaning of text. Here we must focus on the fabric of the communication. What is the author‘s message? That is determined by how she wishes to communicate it including text style, design, images, pictures, use of blank spaces, etc. Consideration must be given to the audience and the intended imagery of the reader’s imagination.  Think closely about how commercials are designed and the audiences they are intended.
  •  This focus on the literary aspects of picturebooks and the lack of pedagogical attention to visual systems of meaning present serious challenges to teachers at a time when image has begun to dominate the lives of their students . This may be due to the fact that multimodal texts other than picturebooks have not been as prominent a feature in the instructional framework of today’s reading programs as they are in the lives of the students for which the curriculum was intended. If teachers are going to be able to help children make sense of the visual images and written language of multimodal texts, they need to first be able to analyze and comprehend these multimodal texts themselves. (Youngs, 2011) The use of tablets and eReaders are posing new challenges are they are being introduced into the classrooms. Reading on-line requires a different a different set of reading skills that are different from reading from one medium. Picture books offer a way to introduce different reading comprehension strategies.

 

Bibliography

Piercy, T. a. (2011). Disciplinary Literacyq. Englewood, Colorada: Lead and Learn Press.

Youngs, S. a. (2011). Comprehension Strategies for Reading Historical Fiction Picture Book. The Reading Teacher , 115-124.

 

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Spanky and the Gang Revisited

November 27, 2011 · No Comments · Common Core Standards, history, Inquiry-Based Instruction, inspirational, literacy, Literacy in Social Studies

Today I was looking for a blog post I wrote on November 22, 2009.  Several things resonate with me as I read. First, the idea of using primary source documents, the student conversations, students making inferences, and the back channel conversations.

I am sitting in a fourth grade classroom sandwiched between two fourthgrade boys at pod of desks listening to an awesome interactive lectureon the first colonist to America. Eight flat desktop desks are pushed together face to face to make a working group. I am listening and enjoying the visuals Mrs. S was using and in awe with the interaction from the kids. Not only were they answering questions the teacher was posing they were sharing inferences about why the colonist came and offering insight
about their difficult life. Mrs. S wonderfully got the kids to think about the explorers as their background knowledge. I enjoyed the
conversation and how intelligently these fourth graders answered and discussed the topic. And this was their introductory lesson. The Images she used made the difference as she told stories about the people and places. This is what social studies is about! The kids enthusiasm was refreshing!

I liked most the part being on the student level in a student desk and listening to their back channel conversations. Yes, kids have those conversations as well. But in amazement they were so connected to the content being presented. The kids would make comments to me and I found myself whispering back as well with my comments. They would whisper a comment to me and I would pose a question to them. From the onset I thought how rude, but for the moment I got caught up in being one of the
fourth grade boys. I forgot about my manners and just enjoyed being a boy. I caught myself raising my hand to answer a question and quickly put it down before Mrs. S saw me (or anyone else).

The young man beside me who was the perfect Spanky from the Little Rascals was sitting there quietly. Now let me remind you that Spanky was a genious and probably knows more about history than me. Constantly he had the last say in whispers to me as Mrs. S taught.  I notice Spanky was inconspicuously eating a bag of CheZ Its from his desk. I noticed a few other kids eating so I thought it was okay; therefore, I kept my mouth closed. Moments later Spanky- my new pal- punched me in the shoulder. Holding a ChezIt in his hand and holding it toward me! “Have one! Are you hungry!” I froze in time as I starred at it because I don’t like to turn down food and the word “yes” started surfacing.  I caught myself and reality sat in again. I was back to being a classroom observer.

Later in the day I ran into Spankie  in the hallway and he stopped. “Hey, Mr. G, Isn’t Msr. S a wonderful social studies teacher! She
knows how to make learning fun!” “You know, you are right!” How amazing this kid!

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Inquiry- Teaching with Primary Sources

October 25, 2011 · No Comments · 21st Century, history, Inquiry-Based Instruction

The video says it all!  Why use primary sources in teaching?

What role does this play in 21st century literacy(ies)?

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Literacy in Social Studies Part 3

October 13, 2011 · No Comments · history, learning, literacy

Students learn by absorbing and doing. They learn history by reading a mix of primary and secondary sources and they engage in historical sense making by exploring original interpretation. Questioning drives the sense-making.

Take a close look at the image below. I found this image in the SC Digital Academy lesson plan bank. 

 

Thanks to the SC Digital Academy

 

I would divide the picture in four quadrants and ask students to make a list of the things they see in each of the four quadrants. 

What is that you see? What questions would you ask?
 

 

 

 

 After time passes I would ask them to come up with questions. I may prompt them by asking What don’t I understand? What is in the image is confusing? What do I need to know more about? What do you see happening? Why is it happening?

Inquiry is the heart of the today’s and past historians. Historians are challenged to think about possible explanations and interpretations. It is the act that “engages the heart.”

On our recent US History Field study to Drayton Hall Plantation, we spent about two hours with the Drayton Hall archeologist.  She told us about a mystery photograph of a watercolor painting that annousmly arrived in the mail in 2008 at Drayton. The photograph showed Drayton with covered walkways on both sides of the house that connected with outer building. Drayton Hall had no records that the covered walk ways ever excited. The chief site historian and the archeologist used the image for the basis of their research question. Was the painting real? Where did the image come from? Did the walkways exist?

For the next 15 minutes she walked us through the progression of the research including locating how they located the original watercolor painting and how she and the site historian have two different hypothesis they were each trying to prove about whether the walk ways existed or not.

In class last night, a second grade teacher was concerned about the time, effort, and the Drayton Hall Trust was dishing out to solve the mystery. This is the heart of inquiry and it should be the heart of instruction in our social studies classrooms.  True inquiry engages the heart. We have to find ways to cultivate puzzlement. We have to move beyond teaching a timeline that offers a narrow view of history, a one way street of learning.

The archeologist at Drayton and the teacher from class demonstrated to us how important inquiry is in our lives, especially in the lives of learners. Inquiry projects born of learners’ passion and curiosity encourage students to understand what they learner. The same is true for the archeologist.  The insights born leads to new questions not possible before.

Our literacy challenge is to drive our students to this level of inquiry so they will dig beneath the surface to explore different topicx.

We have to move kids to think of history as an open range of interpretations.  It happens at the heart of literacy instruction.

In the mix we have to begin taking notice of the role of literacy in the interpretation of history. We have to each those raw skills.  We have to teach questioning and inquiry.  Research thinking has to be the hear t of good instruction.

Questioning allow us to make learning more interesting. Questioning leads to new ideas.

Questioning allows learning not to be static. It is progressive movement. It allows the learner to own their knowledge. We can rest with a single interpretation of knowledge. We have to look beyond.

 

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Teaching Social Studies- Part Two

March 6, 2010 · 1 Comment · 21st Century, history, social studies

Historical thinking is defined, according to Wikipedia,  by many education resources as a set of reasoning skills that students of history should learn as a result of studying history. Sometimes called historical reasoning skills, historical thinking skills are frequently described in contrast to history content such as names, dates, and places. Many of us are schooled in social studies, US History, and World History by taking notes, memorizing names, dates, and facts, and regurgitating it on some form a test. We may have been subjected to videos while the teacher graded a few papers, and the teacher called this teaching and learning. Most educators agree that together, history content–or facts about the past–and historical thinking skills enable students to interpret, analyze and use information about past events. In many cases historical thinking helps us understand and find meaning in present day events and future events.

21st century classrooms launches this type of thinking as early as Kindergarten. The use primary source items including artifacts, pictures, painting, images, and archive documents are prevalent in these classrooms across America. Students are encouraged and taught to think like historians to come to an understanding about the past. The United States Department of Education has established five benchmarks in grades K-4 and 5-12. This benchmarks are the following:

  1. Chronological Thinking
  2. Historical Comprehension
  3. Historical Analysis and Interpretation
  4. Historical Research Capabilities
  5. Historical Issues-Analysis and Decision-Making

These benchmarks serve as a guide of the type of instruction that should occur in social studies and history classroom across the United States. These benchmarks serve as a guide for educators  to teach students how to critically read primary sources and how to critique and construct historical narratives. The process of learning is based on the creation of knowledge by the learner.  It is more important that the teacher guide the students in seeing how history is documented and put into narrative format through text, video, or audio through the analysis of primary sources.  The emphasis is focused on the artifacts and first hand information that history was documented.

Students must be engaged in processes that they have to use the skills of an historian to analyze and synthesize information to produce knowledge. The process allows students to make informed conclusions about the past. Research using secondary sources including books (historical fiction and non-fiction), magazines, journals, and digital resources are used widely to help the learner to come to a historical understanding about the past. It is the same type of skills that are congruent to skills of the 21st century learner.

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Nurturing the 21st Century History Teacher

March 5, 2010 · No Comments · 21st Century, history, professional development, social networking, social studies, Staff Development

Emerging technologies, a globalized world, and fiscal restraints demand innovative approaches to education. This K12 online Conference session explores new research about 21st century teaching strategies and professional development and shares models, resources, and examples to help social studies teachers effectively integrate technology and address needed skills. Join Tom Daccord in this presentation.


Visit National Council for the Social Studies

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Teaching Social Studies in K-5- Thoughts about Guiding Principles

March 1, 2010 · 3 Comments · 21st Century, history, social studies

Social Studies is most important in the early years of an elementary child’s schooling. It is often the most neglected subject that is taught in the elementary grades. It ranks with less importance than Math and ELA, but offers the most natural link to fostering curiosity, learning, reading, and writing. It is the subject that is taught when there is time left in the day. It is the subject that the classroom teacher is less prepared to teach. Teachers are lucky to have had a college US History course and many have to rely on their knowledge from their high school days. It is the subject that most teachers depend on a text book that may be outdated or does not match their state’s current standards. It is the subject that teachers teach the way their teachers taught when they were in school.

This blog post will attempt to address the importance of doing history in elementary grades. Throughout this writing I will base my knowledge from the book titled National Standards for Social Studies published by National Center for History in Schools. The book was published in 1996 and it is very forward thinking with how social studies and US History instruction should be carried out in our schools. Also the writing is based on my observations and other reading in my 22 teaching career and the last six months observing and learning from 29 professional educators in their classrooms and in professional learning communities and networking with other Teaching American History Grant Directors across the United States.

According to Brian Cambourne’s Model of Learning, learners have to be immersed in all kinds of text or curricula activity that has been scaffold to meet their learning needs. It may be through demonstration, images, multimodal texts, sounds, video, artifacts, primary source, and more followed by engagement. This is followed by the learner’s creation of knowledge. Therefore, in helping the early learner, there are six guiding principles that teachers and school curricula people must conscious of in their buildings and classroom.

Guiding Principles for the Development of Standards for K-5

  1. Children should begin from kindergarten to build historical understandings and perspectives and to think historically. It is our responsibility in the early years to support the condition of fostering children’s natural curiosity and imagination. It is important to provide them opportunities to reach out in time and space, and expand their world of understanding far beyond their immediate world.  (Schools, p. 3) Young learners must struggle through and learn the world that must be shared with their peers and family members. So often young learners have not had to share their environment with such a broader community. I have witnessed more often the natural curiosity and imagination these learners bring to the classroom.  Their historical understanding begins by learning the social norms in a classroom environment. Most elementary teachers do this so naturally.
  2. Although young children are only in the early stages of acquiring concepts of chronology and time, they easily learn to differentiate time present, time past, and time “long, long ago”-skills on which good programs in historical thinking can then build over grades K-4. (Schools, 1996)
  3. Chronology, time, and space are difficult concepts but our K-5 student needs ample opportunities to engage in learning activities where they have to learn about order, time, and space. These opportunities occur often in stories they read or are told and when they have opportunities to create their own stories. It happens in play time. It happens when teaching biographies of people like Abe Lincoln, George Washington or Barrack Obama.
  4. To bring history alive, an important part of children’s historical studies should be centered in people-the history of families and of people, ordinary and extraordinary, who have lived in children’s own community, state, nation, and the world. (Schools, p. 3) Usually I begin my first writing workshop in the many years I taught in elementary grades by reading When I Was Young in the Mountains by Cynthia Rylant. In the same day we discuss how the text was written with that rhythm of the word When I was young… and the student spend a the first few days writing a poem about their life using Rylants book as a mentor text. It becomes their story about who they are and the history that surrounds their life. Teaching history has to begin with their life and that is what our standards do in South Carolina. It grows from self to the world we live in. Each year of study builds upon the learning that happens in more formal studies of history in later years.
  5. History becomes especially accessible and interesting to children when approached through stories, myths, legends, and biographies that capture children’s imaginations and immerse them in times and cultures of the recent and long-ago past. (Schools, p. 3) We have a wealth of authors who are writing historical fiction and writing non-fiction. These stories help learner get a perspective of history through a different point of view. Fiction and biographies helps the learner to build experiences vicariously. It helps them build relationships and make connections with people in of the ages.
  6. In addition to stories, children should be introduced to a wide variety of historical artifacts, illustrations, and records that open to them first-hand glimpses into the lives of people in the past: family photos; letters, diaries, digital media, and other accounts of the past obtained from family records, local newspapers, libraries, and museums; field trips to historical sites in their neighborhood and community; and visits to “living museums” where actors reenact life long ago. (Schools, p. 3)
  7. All these resources should be used imaginatively to help children formulate questions for study and to support historical thinking, such as the ability to marshal information; create sound hypotheses; locate events in time and place; compare and contrast past and present; explain historical causes and consequences; analyze historical fiction and illustrations for their accuracy and perspectives, and compare with primary sources that accurately portray life, attitudes, and values in the past; compare different stories about an era or event in the past and the interpretations or perspectives of each; and create historical narratives of their own in the form of stories, letters such as a child long ago might have written, and descriptive accounts of events. (Schools, p. 3) This is most important to understand how history is shared and retold.

I guess the big question should follow next. How should this play out in a classroom? What should it look like? I don’t hold the answers fully to these questions. Brian Cambourne’s seven conditions for learning must be played out.  The learning process begins where our children are in space, time, and their experiences. Most of what happens in early years builds a learning model for something great that happens in sequential years of their life- not their formal schooling life.  Just Having an historical understanding of rules in a classroom give way to later learning about behavior in school, church, society, events, etc.  Learning about the importance of the Statue of Liberty and engaging learners in the making of replica crown like Lady Liberty create mental models for future learning and discussion in first and upper grades. Because the teacher paved the road about this national symbol,  it will make it easier for new learning to occur when the Statue of Liberty comes up in historical fiction, a discussion in or out of school, lesson, etc. Students will now have a frame of reference.

When students are asked to compare old photographs of police offers from 1900 with photographs with police officers in 2010, it will give the historical perspective. Just the fact that on photograph is black and white could lead to further discussion about time, place, and space as it did with a second grader I observed yesterday. She thought how strange the old black and white photograph looked compared to the 2010 photo. It made her giggle. The teacher used the moment to teach. Obviously the learner came to a new understanding about the changes in past and present communities.

I use these conditions or basic principles as expand what I am learning about teaching and learning social studies.

Schools, N. C. (1996). National Standards for History. Los Angeles: National Center for Education in the Schools.

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Interactive Minatures- Charles Fraser, Artist, 1780-1860,

February 28, 2010 · 2 Comments · history, Miscellaneous, social studies

billCharles Fraser (1782-1860) was a popular and respected artist from Charleston, SC. The leading miniaturist in Charleston prior to the Civil War, Fraser studied and practiced law until 1817 when he took up painting. Although he lived in Charleston, SC, he made many summer visits to the northern states.  He produced over 500 miniatures in his lifetime, but he also painted still lifes and historic scenes.  He worked in both oils and watercolors.

His works can be found in Charleston at the Gibbes Art Gallery.

You can learn about his style and technique at this interactive website at http://www.gibbesmuseum.org/explore/fraser_interactive/.  This great place to learn about art and history.

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Standards in a Trunk: Social Studies

February 22, 2010 · No Comments · history, social studies

I wish that this was my idea but it is not. I rarely have original ideas but back in October we was brainstorming with an awesome group of 3-5 teachers, my Teaching American History Cohort group and this idea came up. In many K-5 science classrooms across the state, kits organized around different themes that come to the classroom with lesson plans and all the hands-on resources to teach that theme and standard. What if we put together a history trunk centered around a standard. Wow! These teachers ideas started exploding with possibilities. When I met with the K-2 teacher TAH cohort and shared the idea, they were sold. Each grade level has picked a standard and is in the process of planning a trunk. What I like the most, it was their idea….

The box/trunk will be a teaching box. It will house primary source documents, activities, lesson plans, etc. That is still being planned. I shared with them a rubric for the project to guide their thinking. The rubric contained categories like essential questions, content wall buildables, bibliography of books, lesson plan ideas, primary sources, and assessment.

In this TAH K-5 institute, we have built a strong partnership with the district’s ELA coordinator. We are trying diligently to show the natural integration of ELA and Social Studies.  The coordinator decided to build a trunk on World War II. That encouraged me to build one on the Great Depression. Below are pictures of our trunks.  I just started mine and I am looking for ideas. Your suggestions will be most helpful.

I want to extend this further by having a reading list of historical fiction centered around the trunk theme. Furthermore, I want the trunks to be both physical and digital.  No way we can mass produce the trunk for each teacher or school, but we can have digital download of the primary sources, documents, etc and pictures of the box for the teacher to create their own.

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