Entries Tagged as 'Reading and Writing Enrichment'

Using Historical Fiction Picture Books Part Two

December 7, 2011 · 1 Comment · Common Core Standards, Disciplinary Literacy, history, learning, literacy, Literacy in Social Studies, Picture, Picture Books, reading, Reading and Writing Enrichment, Reading Comprehension, reflecting, social studies

In the Article “Comprehension Strategies for Reading Historical Fiction Picturebooks” by Suzette Youngs and Frank Serafini in The Reading Teacher, October 2011 the authors offer suggestions for moving readers from the literal details to the interpretive assertions.  Yesterdays post focused on the considerations for using historical fiction picture books.

I think consideration must be given to teaching the teacher before teaching students from the transition from literal to interpretive assertions.  To a certain degree the teacher must own the content or have a clear understanding of the content before moving further.  With inquiring minds of all ages (teacher included) we hope the multimodal text will plant a seed in the learners head to inquire further. At the completion of the reading- pre, during, and post- I would hope the book would help the reader form an emotional attachment with the book. The article by Youngs and Serafini offers three strategies:

 

Phase I: Previewing, Noticing, and Naming

As readers approach a picturebook, we encourage them to focus on these elements or thoughts>

  • What visual and design features do you notice?
  • How do the visual, textual, and design modes relate to one another?
  • What did the illustrator, author, and publisher include in the peritext?
  • What type of historical fiction might this be?
  • Focus attention to Historical fiction as a Genre. Are they aware of different examples of historical fiction? I suggest keeping a chart somewhere in your room of different historical fiction books you have read and be able to talk about what they notice in the differences.
    • o   fictionalized memoirs
    • o   fictionalized family histories and stories
    • o   fiction based on research
  •  Essential Questions to Ask When Reading Historical Fiction
    • ·         Is this true? How much is this true?
    • ·         How can we distinguish between fact from fiction?
    • ·         How do the authors know?
    • ·         How much of it happened like this?
    • ·         How can the auto rote help to construct meaning?
    • ·         What type of historic fiction is this?
    • ·         How do the illustration and the text work together?
  • Attention to Visual and Textual Elements
    • ·         What did you notice about the cover, back cover, title page, end pages.
    • ·         What did you notice visual and design elements of the picturebook”
    • ·         By allowing readers to determine what is important by focusing on what they notice, teachers can shift the focus of the discussion to what matters to their readers. (Youngs, 2011)
  • During this first read-aloud, we take note of the balance between narrative and factual elements, how color is used throughout the text to suggest moods and themes, how characters are portrayed in the written text and images, how the story unfolds and how it makes us feel, and other narrative features such as setting, character, plot, and resolution. By focusing readers’ attention on the visual, textual, and design elements of the picturebook, we establish a foundation for readers to move from attending to the visual and verbal features of a picturebook to the interpretation of these elements. (Youngs, 2011)

Phase II: Moving Beyond Noticing to Interpretation

  • Read the book a second time!
  • Invite readers to consider the meaning potential of various visual and textual elements embedded within the picturebook and how these individual elements contribute to the story as a whole.
  • Help the learners pay attention the one telling the story and their perspective.
  • Help the learners pay attention to how the image is framed, the setting of the image or illustration. Framing is a way illustrators invite viewers into an image or distance them from what is being presented.
  • Character-reader relationship- A technique that illustrators use to develop a relationship between the character and viewer is called demand and offer. When a character in an image or illustration makes direct contact with the viewer, this is called demand and when a character looks at other characters or objects within the image, it is called an offer. (Youngs, 2011, p. 120) Demand offers the reader an interactive role and demands the attention of the reader where as an offer does not bring the reader into a direct relationship with the character. Rather these scenes and actions serve as information for the reader to consider. The author and illustrator works together to create a relationship between the reader and the characters and events in the story. (Youngs, 2011, pp. 120-121) This is an important position to consider in the genre of historical fiction.

Phase III: Moving Beyond Interpretation to Critical Analysis

What happens in the phase depends on the background knowledge readers bring to the text and the intention of the books use in the content area. Let me point out whether one is using historical fiction or another type of fiction the three phases need to be taught along the continuum of early and intermediate literacy stages. The more background knowledge learners have prior to reading the picture book, will help them assume a critical stance.  This path must be modeled and taught.  The path is a forward movement from early literacy to intermediate literacy and the higher level would be disciplinary literacy.  Important considerations include:

  • Many historical fiction picture book illustrators draw on cultural, political, and social symbols to make inter-textual connections within the illustrations and to other visual images. (Youngs, 2011)
  • Here are some open ended questions that will promote this type of thinking”
    • o   Whose view of history is being presented in the book?
    • o    How are historical characters portrayed?
    • o   What systems of power and social issues are being challenged?
    • o   Whose view is privileged in the telling of the story?
    • o   What has been left out of the story?
    • o   How do the images presented affect the readers’ interpretations?
  • Visual Symbol Analysis: “Illustrators of historical fiction picturebooks often embed historical images within their illustrations. Analysis of these images requires readers to construct an image as a historical symbol, to place the image within its original historical context, and to make intertextual connections between the book being read and the embedded image. Anstey and Bull (2006) referred to the use of intertextuality and described it as “the ways one text might draw on or resemble the characteristics of another causing the consumer of the text to make links between them” (p. 30).” (Youngs, 2011, pp. 121-122)
  • Placement of Characters within an Illustration- How the character is placed in the illustration carries additional meaning to the whole text. It tells us lots about the characters social standing and power structures with other characters. Characters placed at the top of the image are given higher social status or power compared to those place near the bottom of the pictures. Characters placed side by side might be entering into an adventure  (Youngs, 2011, pp. 122-123). Other questions to consider:
    • o   What might the spatial relationship suggest?  (Youngs, 2011, pp. 122-123) How might we interpret the placement of characters or objects on the page and throughout the book?  (Youngs, 2011, pp. 122-123) Who or what is privileged in the various images?  (Youngs, 2011, pp. 122-123)
    • o   What systems of power are represented? (Youngs, 2011, pp. 122-123) (We must teach learners to take a critical stance of various images and symbols represented in historical fiction picture books) (Youngs, 2011, p. 122)

These strategies presented by Youngs and Serefini need to be considered as we prepare our learners for the real world. This framework can better prepare teachers for using historical fiction or any fictional picture book in the content curriculum.  It serves as a guide, but should help to focus on the teacher how picture book could be possibly used. I think it is important the teacher understand the framework so that parts as necessary can be modeled and taught to all learners.

Bibliography

Piercy, T. a. (2011). Disciplinary Literacyq. Englewood, Colorada: Lead and Learn Press.

Youngs, S. a. (2011). Comprehension Strategies for Reading Historical Fiction Picture Book. The Reading Teacher , 115-124.

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Using Historical Fiction Picture Books Part One

December 6, 2011 · 2 Comments · Common Core Standards, history, learning, literacy, Literacy in Social Studies, Picture Books, Reading and Writing Enrichment, Reading Comprehension

In the Article “Comprehension Strategies for Reading Historical Fiction Picturebooks” by Suzette Youngs and Frank Serafini in The Reading Teacher, October 2011 along with other important notes struck a chord with me: “Cognitively based reading comprehension strategies (e.g., predicting, summarizing, visualizing) often focus exclusively on written text. However, picture books and many other texts that readers encounter in their daily lives are now dominated by visual images Therefore, comprehending the visual images and design elements presented in historical fiction picture books require developing a new set of strategies in addition to the strategies used for comprehending written text alone.”

I love historical fiction picture book and I have a growing collection as more and more are being published. I have used picture books across all curriculum area to supplement both social studies and ELA content.  I used picture book as mentor text in classroom writing workshops and I continue to use them in professional development classes as well.

The article pushed my thinking in new ways about using quality picture books in teaching and learning. I have held a strong belief that picture books are a great way to help bridge connections to the content being taught in content subjects especially history. Pictures, images, and designs features enhances our understanding of the world today just by the way they are presented and used on a daily basis on billboards, TV, Internet, Theater, and other mediums in public places.  In historical picture books they help the readers to make sense of historical events and concepts. In a way picture books are the pre-Madonna of today’s literacy. Picture books helps teachers and students take complex issues, events, and concepts and helps readers bridge a connection for future learning.   We use picture books across the curriculum to supplement social studies content, present complex historical concepts and promote critical discussions. (Youngs, 2011, p. 116)

“Cognitively based readi(Youngs, 2011, p. 116)ng comprehension strategies (e.g., predicting, summarizing, visualizing) often focus exclusively on written text. However, picturebooks and many other texts that readers encounter in their daily lives are now dominated by visual images (Kress, 2003). Therefore, comprehending the visual images and design elements presented in historical fiction picturebooks requires developing a new set of strategies in addition to the strategies used for comprehending written text alone (Serafini, 2005, 2010; Youngs, 2010).” (Youngs, 2011, p. 116)

A picture book brings a unique experience beyond the text, but not so unique when you think about the digital media that all our youth are exposed to beginning at birth.  Beginning with early literacy, picture book use in different areas of the curriculum should expose readers to making meaning of the story or the informational message beyond the text.  Early literacy places lots of instruction based on a text environment. Early literacy and intermediate literacy focuses lots of efforts on skills such as main idea, supporting details, predicting, summarizing).  Unfortunately literacy instruction has prepared students for the multiple choice test.

Very little pedagogical attention has been places on visual system at all grade levels and that poses a new challenge for teachers.  Picture books brings a multimodal system that needs to be understood , modeled, and taught so student will fully comprehend the text.

Below are some considerations for using historical picture books:

  • Teachers must take the time to fully understand the content that is being presented through the picture book.  What part of the book is fiction? Many historical fiction books provide additional background knowledge on the event, time period, person, or conflict and provide information what is fact and fiction. The danger is the teacher not knowing and not discussing this with students.
  • Historical fiction picturebooks are challenging because many readers lack historical background knowledge, are not familiar with the genre, and are inexperienced with the language specific to the historical era.” (Youngs, 2011)
  • The teachers needs to have some understanding of the context of the text and images presented. Are the images accurate of the time period?  The context affects how we will view the text (including all multimodal pieces of the text) and it will affect how we respond. In understanding the context, we must consider the background knowledge. Our goal with a picture book might be to help students to piece together a context for understanding the content that they must learn. We are helping them to piece together clues that will them build a larger picture around the things we what them to learn. It is valuable to know that Lincoln’s Gettysburg Address was given during a critical phrase of the Civil War. It was given at the dedication of the cemetery for fallen soldiers after the most critical battle of that war. (Piercy, 2011, pp. 77, 80)
  •  The teacher must focus on text. I am including the design, pictures, images, and print for the meaning of text. Here we must focus on the fabric of the communication. What is the author‘s message? That is determined by how she wishes to communicate it including text style, design, images, pictures, use of blank spaces, etc. Consideration must be given to the audience and the intended imagery of the reader’s imagination.  Think closely about how commercials are designed and the audiences they are intended.
  •  This focus on the literary aspects of picturebooks and the lack of pedagogical attention to visual systems of meaning present serious challenges to teachers at a time when image has begun to dominate the lives of their students . This may be due to the fact that multimodal texts other than picturebooks have not been as prominent a feature in the instructional framework of today’s reading programs as they are in the lives of the students for which the curriculum was intended. If teachers are going to be able to help children make sense of the visual images and written language of multimodal texts, they need to first be able to analyze and comprehend these multimodal texts themselves. (Youngs, 2011) The use of tablets and eReaders are posing new challenges are they are being introduced into the classrooms. Reading on-line requires a different a different set of reading skills that are different from reading from one medium. Picture books offer a way to introduce different reading comprehension strategies.

 

Bibliography

Piercy, T. a. (2011). Disciplinary Literacyq. Englewood, Colorada: Lead and Learn Press.

Youngs, S. a. (2011). Comprehension Strategies for Reading Historical Fiction Picture Book. The Reading Teacher , 115-124.

 

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Reading/Writing Enrichment

February 3, 2009 · No Comments · Reading and Writing Enrichment

Today was a short class because we are on activity period. They spent most of the class time publishing their work using a laptop. They were engaged. After class today, I read through their writing folder and I was very impressed with the writing they had done from quick writes and other writings they have done. One child wrote about how he wanted to be a chemist when he grows up and wanted to invent a cure for cancer. I am impressed at the writer’s voice that these fifteen sixth graders have. I see them as writers.  Sometimes we need to take time to listen and hear the voices in our classroom. I believe writing is a way to listen and hear.

I am reading Never Work Harder than Your Students by Robyn R. Jackson. During reader’s moment I read to them the anecdotal story about the difficult student Keisha that starts on page 27. Students love stories and this one story is one they can really connect with. Keisha a difficult student that drove Mr. Jackson nuts learns a valuable lesson from a more seasoned teacher. My sixth graders found connection with Keisha and the teacher because they each find themselves in classrooms with Keisha’s or fills the role of Keisha in the classroom. I was amazed that this story held their attention.

I look forward until tomorrow as students finish publishing their story and poem. This class so far is awesome, and we are surprised by our own enthusiasm since planning comes from the hip the day before the class.

Picture Attribution at http://shop.ascd.org/images/109001.jpg

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Book Pass

February 2, 2009 · No Comments · Reading and Writing Enrichment

February 2, 2009 Reading and Writing Enrichment Class

Today students were introduced to the strategy of the Book Pass. Pam did this mini lesson and did a wonderful job. We gave the a scaffold sheet to rate their books in the two minute time period. They jotted down the title, author, and a rating. Reading from exit slips I am not sure they saw the true purpose of this book selection strategy. We let them infer from the process and got very interesting responses from their exit slip. One student wrote that was able to verbalize closer the purpose stated that the book pass helped you find books that you like and dislike. Many wrote that you don’t judge a book by its cover. Another wrote it allows you more time to find a book that you many like.

I think tomorrow’s mini-lesson should be a follow up from the book pass. Maybe on chart paper brainstorm why the “book pass” was effective. I do think we need to do this strategy more frequently. I was worth the time.

For the reader’s moment Pam read…
Then we did a quick write on what makes a good book. We allowed others to share and had them to sum or capture what makes a good book in a sentence or phrase on a sticky note.
Students wrote:
• It has to capture your imagination
• A good book must have action and fantasy. It must keep you wanting to continue to read and never want to put it down.
• Books that you never want to end and that has a lot of drama.
• Books that keep you in suspense and make you cry.
• A good plot line where the author know where he is going with the book.
• A book that makes you understand and that you don’t want to put the book down.
• Something that captures your attention and make you want to keep reading.

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Reading and Writing Enrichment- Writing

January 30, 2009 · No Comments · Reading and Writing Enrichment

January 30, 2009

We worked to the bell rang today. No time for an exit slip and it was an hour of constant interruptions. Today was awards day and the office called each person by name to come to their designated place to line for the awards ceremony. It seemed to take ten or minutes for every name to be called. Today, they had some photos to draw from the basket for our starting routine. Only two students took a picture. That was okay. Everyone was engaged except two boys and they seemed to have trouble most of the class time. Half the class went were getting an award and I took those ready to type their work to the computer lab to publish. I published my own poem and it is below. That was our day.

When I am Old!!

When I am old, I want to be able to take care of myself. I don’t want to have to depend on anyone else.

When I am old, I want to spend my days reading and writing about the things I care about. I never want to stop learning about new things and trying new things.

When I am old, I want to still be tech savvy and learn and play with new gadgets.

When I am old, I want to travel to places I have never been and back to places I loved. I want to once again to sit at outdoors at the Café du Monde in New Orleans and have cafe’ au lait and beignets with my wife. I just want to sit and watch people and talk about good times of the past.

When I am old, I want to be involved. I want to be a part of making life better for other people.

When I am old, I don’t want to be stuck in my ways. I want to be always changing

When I am old, I want to take my grand children to places I love. I want to be with them with they see Disney World and New York City. I want to be a part of their life.

When I am old, I want to spend time sitting on the porch thinking of times past and thinking about future things. I just want to be.

By Bill Gaskins

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Reading and Writing Enrichment

January 29, 2009 · No Comments · Reading and Writing Enrichment

January 29, 2009, Thursday

writing-enrichment

” I wished more people could pay more attention to me and not see me as a weird child that does not talk much.”

Writing brings out voices that need to be heard. Today this came through very clearly with one writer in the class. She chooses to write herself and let her voice be heard. As writers, we know these voices surface and today a voice came out with a cry for help and understanding. The above statement was quoted from one exit slip that sums up the narrative she wrote about herself today. When one chooses to teach writing or one chooses to write, we must be ready to deal with the voices that surface. As a teacher, you must be prepared to nurture and support not on the words on the paper but the writer as a person. Some days writers may not know where their pen will take them. Sometimes I have even surprised myself and wondered where my own thought and words came from. That is the mystical aspect of being a writer.

Today technology seeped into the classroom. As students finished writing their drafts they were able to go to a laptop to type their narrative or poem. I have access to five flip cameras and I am trying to figure out how to use those cameras in this classroom. How can I put them in the kids hands and have them record their experiences as a writer and reader?

As the wrote, Pam and I circulated around the room and got permission to read their drafts. We read for content and praised them for their efforts. We asked questions to make them think. I am pleased they each have such a positive attitude about their writing. We want to build that with each of them.

The main goal this week has been to think like a writer and to read like a writer. We have to do more of the later to move them where I want them to be as learners.

Pam and I met with the director of the Coastal Area Writing Project Dr. Files. She helped us think through using anchor charts in the classroom. Yes, this is so important. I noticed seeing these charts around SLA in Philly over the weekend. We need focus charts for our mini-lessons we teach daily.

Today the mini-lesson was helping student notice white space in poems and how white space is used. Typical young writers have a difficult time with white space and spacing in writing poems. They seem to see writing poems linearly like they write narratives. Mostly these kids have not experiences writing like readers or reading like writers. Until they have that experience they don’t grasp it.

I continue to echo the need for strong writing instruction in a reading classroom. It has to happen to make learner understand the real rules of reading and writing.ReaR

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Reading and Writing Enrichment

January 28, 2009 · No Comments · Reading and Writing Enrichment

January 28, 2009

“I think my writing is going great! I enjoy writing in class. The teachers let us write freely. We can write a poem, story, or anything we want. This class allows free thinking.” From student QB on an exit slip today.

“This class allows free thinking..” What an amazing thing for a sixth grader to say. This was not an agenda item for today’s lesson and I am not sure where free thinking fits into a standards based curriculum. But writing made me very happy.

Students once again took a look at the writing by Jack Prelutsky and showed them how Prelutsky to the narrative and found a poem inside of it. I gave them each copies of the poem and had them underline powerful phrases and words. They use those words or lines to for their quick write today.

The big focus today was writing workshop. In the mini lesson I talked about all the writing we have done and all the writing they have done now holds ideas for them. There task is now find something to write a narrative or a poem about. I told them about the “Snicker’s Club”— for member ship one must find a narrative and poem to publish.

I had to sneak out early but they were wrestles as they were moving to the draft of a story mode. I was blown away by their comments in their exit slips.

“Today I wrote about the war in my backyard. The idea came from Draw it Out, Let it Bubble.”

“My writing is going great because I love to write about something I like or I do.”

“Today I made up a poem and I made it up about my brother. It is a so funny that everyone would want to read it. I want to know more.”

“Today we started our writing workshop. What I thought that the lesson was very interesting. It made me understand other ways to write.”

“I like the part in the lesson where you let us write what every we want.”

“Can I write more?”

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Reading and Writing Enrichment

January 22, 2009 · No Comments · Reading and Writing Enrichment

January 22, 2009, Thursday

Day 3 Reading and Writing Enrichment Class

Our sixth graders came in and drew a topic from the basket and took their note card and their writer’s folder to their desk. The timer was set shortly before the tardy bell rang for five minutes. Seconds later everyone was fully engaged including Pam and I. I drew the topic “my missing basket.”

For reader’s moment, I read the article Obama retakes oath of office after Roberts’ mistake from cnn.com. I had their ears.

Next, I quickly repeated the mini-lesson on what is a quick write. Then we did a quickwrite using the book When I Was Young in the Mountains by Cynthia Rylant.  I read the book and I asked students to use the line of repetition from the book “When I was young, I..” as the starting point of writing. Students had three minutes to write and as I observed they wrote. I shared and invited them to share and they would not. Student one allowed me to read her writing to the group. It will take more time to develop this young community.

Pam read them a short narrative that Jack Prelutsky wrote titled My Father’s Underwear. This came from Prelutsky’s book Pizza, Pigs, and Poetry. Then she gave them each a copy of this short narrative and a highlighter. They were asked to reread the narrative and highlight five sentences or phrases that caught their attention. I used the document camera to project the story as I read and underlined. Everyone was engaged except one student.

We intended to show students how Prelutsky used this short narrative to write a poem. We ran out of time. Therefore this narrative and their underlined sentences or phrases will be jumping off points for students to quickwrite.  We want our students to see how we get ideas from other people’s writing.

Student Bravo has been engaged since we started the class three days ago. The first day he was not a happy camper. Bravo has had behavior problems in other classes but has been well behaved in our class. He did display a terrible attitude on Tuesday. He has kept to himself and today I did see him write something.

Time came to an end quickly and Pam explained the exit slip. Our students are familiar with exit slips since they are used their other classes. There exit slips consisted of a short summary of what we did today, but one student wrote that she liked what we were doing so far. That fact give me hope. I would like to push the exit slip to maybe a guiding question(s), three pluses and a wish, or some other idea. We need to put some more thought on this part so we get the bang we need to happen.

January 23, 2009, Friday by Pam F. (I was in Philly)

We went through the routine–We shared a couple Draw It Outs (two or three volunteered to share) and I read mine.

For the Readable Moment, I read Obama’s letter to his daughters, and they appeared to listen and think about it. We did stop and discuss several points/questions.

The mini-lesson was How to Choose the Right Book. I introduced the word “MNEMONIC” and after quickly reviewing Roy G Biv and My Mother Just Served Us . . . . ., I gave them FIT and BLIPA for choosing the right book. F (Find), I (Investigate), T (Try/Trade) and B (Blurb), L (Length -as well as size of type), I (Interests you), P (Pictures –as well as illustrations), A (Ask someone). We talked about each component and used books for examples. I wanted to talk about the five finger rule, but I forgot (even though I had written it on the board).

The Quick Write was either “How do you choose a book” or “What makes a book good”–Their choice of prompt.

Then we went to the library for book talks by Heather and to check out books. I told them that we will be reading Monday and to bring their books with them. Actually we ran out of time, but several had books selected, and Heather is holding them for them to check out later today. Heather did a great job on the talks–all students seemed engaged.

Of course, we ran over and were late getting to the library. We didn’t get to exit slips. Sorry.

I just found out that these same students are in an ELA class, have Mrs. Whaley’s class, and are with us. And, several have no PE at all during the day. We may need to incorporate some active activities or strategies. Thoughts, comments?????

Rosie will do the class on Tuesday. She dropped by very briefly at the beginning of class today. I told her I’d get with her later today, but that we did want to make sure we followed the routine we have established for the beginning of class.

January 26, 2009

Students entered the classroom and started Draw it out, let it bubble. After about five minutes I put the students in two lines facing each other and they took turns sharing with each other. One line moved and went through four rotations of sharing what was on their card. I tried to listen but had to watch and manage two kids to keep them on task.

For readers moments I share the story Kelly, the flying angel from Chicken Soup for the Kids Soul. The story was engaging about a pony, an angel, divorce, a psychological drama. I had their attention and we moved on to the quickwrite.

We used Prelutsky’s story My Father’s Underwear for the Quickwrite. They took a line they had highlighted from Thursday and used it as a starting point. I took some to me to review their writing folder and they did a pretty good job in giving it a try. I was impressed that they adapted to the strategy.

Next I had each to count off from 1-7, then the ones met and twos and so forth. They took turns sharing what they had written before they went back to their seats.

The next twenty minutes the students read silently. All were really engaged except for three boys. I prompted them and did not have much luck and I let it be since they were not disturbing anyone. Student Y actually did more today than ever.

In place of exit slip I gave them paper, colored pencils and crayon and told them to draw their stories. Cool Stuff! Tomorrow Pam and I will be gone and maybe on Wednesday we let them quick write about the pictures they drew today.

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Reading and Writing Enrichment

January 21, 2009 · No Comments · Reading and Writing Enrichment, Uncategorized

Wednesday, January 21, 2009

As I mentioned in a previous post titled What is a QuickWrite?, I am co-teaching an enrichment class with the reading coach in our school. We are focusing on a reading and writing workshop and plan to integrate technology. On this day we are working on an abbreviated schedule due to weather and school starting two hours late.

We started this class yesterday finding out 30 minute before the beginning of first block that our classroom location had changed. So we rolled with the punches and graciously we had four computers moved into the room. Yesterday was a bit like chaos.

Prior to the students walking in the door, we had an agenda, laptop and project, and a document camera in place. We added different colors of writing paper, pens, pencils, and colored pencils for the writing center. We had books and magazines on each student’s desk. The room will continue to transform.

Today we began with an activity called “Draw it out. See what bubbles.” Students were given an index card and drew out a topic from the basket below. (See Picture) Pam (co-teacher) explained the process of taking the topic and having a choice to sketch it, write it, or brainstorm it. Pam modeled the brainstorming process on the white board. Today we allowed three minutes but as a routine it will be the sponge activity to get the class rolling each day.. All students jumped right in and so did I. We had only one exception and this young man was not a happy camper being in this group yesterday. Time will tell with him. Pam continued her brainstorm on the board.  I drew the prompt “My Favorite Sound.”

After the timer buzzed, we reviewed this new routine and moved on to the “Reader’s Moment.” Each day Pam or I will something we have been reading either a poem, fiction, newspaper article, or something we read online. The reading has nothing to do with school or this class. We want to model the readers we are to the students. I have never used this strategy with students, but learned this from the work of Kelly Gallagher.

Today I read them a blog post from www.whitehouse.gov. I read the blog post titled Change has come to WhiteHouse.gov. All ten ears listened and one student asked questions and made comments. I had their attention.

Ten of the 15 students had to leave to finish MAP testing or in other words participate in a side effect of Readicide. For the remaining students, I introduced the quickwrite through a shallow explanation using previous blog post. At the end of this two minute explanation, our time had ended. The bell had rung.

It was a positive class and much better organized than yesterday. Pam and I both felt very positive about our second day and look forward to building upon our established routines.

For the most part we are free from Readicide pedagogy and using pedagogy of what we know works with teaching reading and writing. We are free from writing lesson plans have to be turned in. Yes, we have some freedom. We have our lesson planned out for the rest of the week. I will start lesson planning for next week soon. I want to see how tomorrow goes and wait to hear how Friday goes in my absent. I will be on my way to Educon 2.1 in Philadelphia.

Tomorrow’s agenda is posted below. “Draw it out. See what bubbles,” reader’s moment, quickwrite, and exitslip will be a routine for the enrichment period. We wait to see what happens……..Rea

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